About Aftermedia

This is an occasional, announcement-driven blog by Joanna Zylinska: new media theorist, cultural and art critic, bio/ethics expert, photographic artist, Goldsmiths professor.

Tuesday
Feb262013

Lem's Summa Technologiae: hot off the press

I have just received advanced copies of my translation of Stanislaw Lem's Summa Technologiae !

                                                          

Stanisław Lem, Summa Technologiae

Translated and with Introduction by Joanna Zylinska

University of Minnesota Press, Electronic Mediations series vol. 40, March 2013

ISBN 978-0-8166-7576-0

The Polish writer Stanisław Lem is best known to English-speaking readers as the author of the 1961 science fiction novel Solaris, adapted into a meditative film by Andrei Tarkovsky in 1972 and remade in 2002 by Steven Soderbergh. Throughout his writings, comprising dozens of science fiction novels and short stories, Lem offered deeply philosophical and bitingly satirical reflections on the limitations of both science and humanity.

 In Summa Technologiae—his major work of non-fiction, first published in 1964 and now available in English for the first time—Lem produced an engaging and caustically logical philosophical treatise about human and non-human life in its past, present, and future forms. After five decades Summa Technologiae has lost none of its intellectual or critical significance. Indeed, many of Lem’s conjectures about future technologies have now come true: from artificial intelligence, bionics, and nanotechnology to the dangers of information overload, the concept underlying internet search engines, and the idea of virtual reality. More important for its continued relevance, however, is Lem’s rigorous investigation into the parallel development of biological and technical evolution and his conclusion that technology will outlive humanity itself.

Preceding Richard Dawkins’s idea of evolution as a blind watchmaker by more than two decades, Lem posits evolution as opportunistic, shortsighted, extravagant, and illogical. Strikingly original and still timely, Summa Technologiae resonates with a wide range of contemporary debates about information and new media, the life sciences, and the evolving relationship between technology and humanity.

Endorsement

At the end of the thirteenth century, Thomas Aquinas wrote the Summa Theologiae, an ambitious compendium of all orthodox philosophical and theological knowledge about the world. Seven hundred years later, science fiction author Stanisław Lem writes his Summa Technologiae, an equally ambitious but unorthodox investigation into the perplexities and enigmas of humanity and its relationship to an equally enigmatic world in which it finds itself embedded. In this work Lem shows us science fiction as a method of inquiry, one that renders the future as tenuous as the past, with a wavering, ‘phantomatic’ present always at hand. (Eugene Thacker, author of After Life)

***

Stanisław Lem (1921–2006) was the best known science fiction author writing outside of the English language. His books have been translated into more than forty languages and sold over 27 million copies worldwide.

Joanna Zylinska is professor of new media and communications at Goldsmiths, University of London. Her own books include Bioethics in the Age of New Media and The Ethics of Cultural Studies.

Wednesday
Oct102012

Our new book, Life after New Media, is out

We have just received advance copies of our book, Life after New Media: Mediation as a Vital Process. The book is beautifully produced: the MIT Press has done a really great job!

 

Sarah Kember and Joanna Zylinska
LIFE AFTER NEW MEDIA: MEDIATION AS A VITAL PROCESS (Cambridge, MA: MIT Press 2012)

In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects--computers, smart phones, iPods, Kindles--to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated--subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms.

By Kember and Zylinska’s account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation--all-encompassing and indivisible--becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a “cut” to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of “doing” media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice.

Contents

Epigraph: Media, Mars, and Metamorphosis (An Excerpt)
Introduction: New Media, Old Hat [read online]
1 Mediation and the Vitality of Media
2 Catastrophe “Live”
3 Cut!: The Imperative of Photographic Mediation
Interlude: I Don’t Go to the Movies
4 Home Sweet Intelligent Home
5 Sustainability, Self-Preservation, and Self-Mediation
6 Face-to-Facebook, or the Ethics of Mediation
7 Remediating Creativity: Performance, Invention, Critique
Conclusion: Creative Media Manifesto

 

Sunday
Sep162012

Festival Transitio_MX05 Biomediations launched

We have now officially launched the fifth edition of the Festival of New Media and Video on the topic of Biomediations, in Mexico City. The festival will take place from 20-29 September 2013. I am really excited about being its first ever international Artistic Director and very much look forward to working with my Mexican and international colleagues over the next year on the festival programme. The festival will consist of four parts: an exhibition, a competition for junior artists, a symposium and a series of workshops, and will take place across many fantastic venues in Mexico City. There will also be some satellite events in London and online.

Below is a press release from Conaculta (Mexico's National Council for Culture and the Arts):

 

Las Biomediaciones serán el tema central de la quinta edición del Festival de Artes Electrónicas y Video Transitio_MX

cuadro blanco
Comunicado No. 1888
cuadro blanco

***Organizado por el Conaculta a través del Centro Multimedia del Centro Nacional de las Artes, se realizará del 20 al 29 de septiembre de 2013
***El encuentro, que se organiza cada dos años, busca promover la reflexión respecto a las prácticas contemporáneas de creación artística con medios electrónicos


Video, fotografías, arte electrónico, performances, instalaciones y bioarte, es lo que el público podrá encontrar en la quinta edición del Festival de Artes Electrónicas y Video Transitio_MX que se realizará en el Centro Multimedia del Centro Nacional de las Artes del 20 al 29 de septiembre de 2013.

Bajo el título de “Biomediaciones”, el encuentro estará conformado por cuatro ejes: una muestra, una serie de talleres, un concurso y un simposio con carácter internacional, integrado por conferencias magistrales y mesas redondas que reunirán a artistas, académicos y especialistas de diversos países, entre los que destacan Inglaterra, Argentina y México.  

Estos detalles se dieron a conocer en conferencia realizada la mañana de este miércoles 5 de septiembre en la Galería de Arte Electrónico Manuel Felguérez del Centro Multimedia del Centro Nacional de las Artes (Cenart), donde estuvieron presentes Adriana Casas, directora del Centro Multimedia; Joanna Zylinska, directora artística del festival; Víctor Manuel González Esparza, director general del Centro Nacional de las Artes, y Benjamín Mayer, representante del consejo de planeación del festival.

Víctor Manuel González Esparza destacó que el Festival de Artes Electrónicas y Video Transitio_MX se ha convertido en la plataforma mexicana más importante para la expresión y el análisis de las prácticas contemporáneas de creación artística con medios electrónicos y cultura digital.

“En este sentido, la bienal en su quinta edición pretenderá ser en sí misma un motor que fomente el uso de los medios tecnológicos en el arte, no sólo entre los creadores jóvenes o consolidados, sino también en aquellos artistas en potencia que hoy estudian en las diferentes escuelas de nuestro país”.

El director del Cenart también habló de la importancia de que se realice en el Centro Multimedia, ya que este lugar es un espacio idóneo para que ahí ocurran muchas de las discusiones nacionales encargadas de promover la enseñanza artística desde múltiples disciplinas, la conservación y exhibición del patrimonio artístico tangible e intangible, así como el fomento a la creación artística contemporánea.

“Este es uno de los festivales de arte electrónico más importante en América Latina, evento que existe en gran medida gracias a la pertinaz presencia del Centro Multimedia que, desde su fundación, es un referente en el contexto global al hablar de la relación entre el arte y los nuevos medios”.

Joanna Zylinska, directora artística del festival, detalló la parte temática del festival: las biomediaciones, una palabra que relaciona la vida como medio y a los medios como seres vivientes, en donde ocurren mediaciones tecnológicas y biológicas capaces de generar procesos creativos cada día en la época digital.
   
“Por un lado, el concepto de Biomediaciones se refiere a la mediación de la vida en las artes mediáticas. Pero también a la vida misma que se presenta a nosotros tras algún medio: pintura, escultura, artes electrónicas o a través del medio ambiente, la lengua o la genética.

“En este sentido, en el festival el concepto de biomediaciones reflejará la naturaleza creativa, dinámica y envolvente de los medios. Se preocupará por la vida y la comprenderá en el sentido mediático, filosófico y biológico a través de obras y cosas que recuerdan y transforman la vida a nivel digital como la imagen en vivo, el video, las fotografías, el arte electrónico, los performances, las instalaciones y el bioarte”.

Finalmente, Benjamín Mayer comentó que a través de este festival “se promoverá un acontecimiento que tiene la madurez para abrirse al mundo y también de dialogar de tú a tú con otros festivales que se realizan en otras latitudes como Europa o Norteamérica, en un entorno complejo como el que estamos viviendo, el cual está caracterizado por una gran fragmentación”.  

El festival, que contará con la curaduría del argentino Rodrigo Alonso y la canadiense Sarah Cook, tendrá un espacio dedicado a artistas y académicos, quienes desarrollarán una serie de actividades dedicadas a investigar la mediación de la vida en el contexto y cultura mexicana a nivel de lo cotidiano, la comida y de la vida política y social.

 

Source: http://www.conaculta.gob.mx/sala_prensa_detalle.php?id=22852

Wednesday
Aug012012

Paying Attention: New issue of Culture Machine

We are pleased to announce a new issue of the open-access journal Culture Machine:

CULTURE MACHINE 13 (2012)
http://www.culturemachine.net/index.php/cm/issue/current
 
PAYING ATTENTION
edited by Patrick Crogan and Samuel Kinsley

How are the ways we understand subjective experience – not least cognitively – being modulated by political economic rationales? And how might artists, cultural theorists, social scientists and radical philosophers learn to respond – analytically, creatively, methodologically and politically – to the commodification of human capacities of attention? This special issue of Culture Machine explores these interlinked questions as a way of building upon and opening out contemporary research concerning the economisation of cognitive capacities. It proposes a contemporary critical re-focussing on the politics, ethics and aesthetics of the ‘attention economy’, a notion developed in the 1990s by scholars such as Jonathan Beller, Michael Goldhaber and Georg Franck.

Contents

Patrick Crogan, Samuel Kinsley, ‘Paying Attention: Towards a Critique of the Attention Economy’

Bernard Stiegler, ‘Relational Ecology and the Digital Pharmakon’

Tiziana Terranova, ‘Attention, Economy and the Brain’

Jonathan Beller, ‘Wagers Within the Image: Rise of Visuality, Transformation of Labour, Aesthetic Regimes’

Samuel Kinsley, ‘Towards Peer-to-Peer Alternatives: An Interview with Michel Bauwens’

Sy Taffel, ‘Escaping Attention: Digital Media Hardware, Materiality and Ecological Cost’
 
Ben Roberts, ‘Attention-seeking: Technics, Publics and Software Individuation’

Taina Bucher, ‘A Technicity of Attention: How Software “Makes Sense”’

Martyn Thayne, ‘Friends Like Mine: The Production of Socialised Subjectivity in the Attention Economy’

Rolien Hoyng, ‘Popping Up and Fading Out: Participatory Networks and Istanbul’s Creative City Project’

Bjarke Liboriussen, ‘Second Life: Message (to Professionals), Attention! Economic Bubble (to the Rest of Us)’

Bjarke Liboriussen, Ursula Plesner, ‘Current Architectural Use of Virtual Worlds’

Ruth Catlow, ‘We Won’t Fly for Art: Media Art Ecologies’

Constance Fleuriot, ‘Avoiding Vapour Trails in the Virtual Cloud: Developing Ethical Design Questions for Pervasive Media Producers’

------------------------------------------------------------------------------------

ABOUT CULTURE MACHINE


Established in 1999 and edited by Clare Birchall, Dave Boothroyd, Gary Hall and Joanna Zylinska, the Culture Machine journal publishes new work from both established figures and up-and-coming writers. It is fully refereed and has an International Advisory Board which includes Geoffrey Bennington, Robert Bernasconi, Sue Golding, Lawrence Grossberg, Peggy Kamuf, Alphonso Lingis, Meaghan Morris, Paul Patton, Mark Poster, Avital Ronell, Nicholas Royle and Kenneth Surin.

Culture Machine is part of Open Humanities Press

For more information, visit the Culture Machine site:
http://www.culturemachine.net

Thursday
May172012

Theory in the Era of Climate Change

OPEN HUMANITIES PRESS is delighted to announce the publication of two new open access books in its Critical Climate Change series:


TELEMORPHOSIS: THEORY IN THE ERA OF CLIMATE CHANGE, vol. 1
edited by Tom Cohen (University at Albany)
Freely available here

The writers in the volume explore how the 21st century horizons that exceed any political, economic, or conceptual models alter or redefine a series of key topoi. These range from figures of sexual difference through to bioethics, care, species invasion, war, post-carbon thought, ecotechnics, and time. As such, the volume is also a dossier on what metamorphoses await the legacies of “humanistic” thought in adapting to, or rethinking, the other materialities that impinge of contemporary “life as we know it.”

# Introduction: Murmurations—“Climate Change” and the Defacement of Theory by Tom Cohen

# 1. Time by Robert Markley

# 2. Ecotechnics by J. Hillis Miller

# 3. Care by Bernard Stiegler

# 4. Unicity by Justin Read

# 5. Scale by Timothy Clark

# 6. Sexual Indifference by Claire Colebrook

# 7. Nonspecies Invasion by Jason Groves

# 8. Bioethics by Joanna Zylinska

# 9. Post-Trauma by Catherine Malabou

# 10. Ecologies of War by Mike Hill

# 11. Notes Toward a Post-Carbon Philosophy by Martin McQuillan

# 12. Health by Eduardo Cadava and Tom Cohen



IMPASSES OF THE POST-GLOBAL: THEORY IN THE ERA OF CLIMATE CHANGE, vol. 2
edited by Henry Sussman (Yale University)
Freely available here

The diverse materials comprising Impasses of the Post-Global take as their starting point an interrelated, if seemingly endless, sequence of current ecological, demographic, socio-political, economic, and informational disasters. These include the contemporary discourses of climate change, ecological imbalance and despoilment, sustainability, security, economic bailout, auto-immunity, and globalization itself.

# Introduction: Spills, Countercurrents, Sinks by Henry Sussman and Jason Groves

# 1. Anecographics: Climate Change and “Late” Deconstruction by Tom Cohen

# 2. Autopoiesis and the Planet by Bruce Clarke

# 3. Of Survival: Climate Change and Uncanny Landscape in the Photography of Subhankar Banerjee by Yates McKee

# 4. Global Warming as a Manifestation of Garbage by Tian Song

# 5. The Physical Reality of Water Shapes by James H. Bunn

# 6. Sacrifice Mimesis, and the Theorizing of Victimhood (A Speculative Essay) by Rey Chow

# 7. Security: From “National” to “Homeland” … and Beyond by Samuel Weber

# 8. Common Political Democracy: The Marrano Register by Alberto Moreiras

# 9. Bare Life by Ewa Plonowska Ziarek

# 10. Sustainability by Haun Saussy

# 11. The Global Unworld: A Meditative Manifesto by Krzysztof Ziarek

# 12. Bailout by Randy Martin

# 13. Auto-Immunity by Henry Sussman