About Aftermedia

This is an occasional, announcement-driven blog by Joanna Zylinska: new media theorist, cultural and art critic, bio/ethics expert, photographic artist, Goldsmiths professor.

Saturday
May182013

Lem's Summa reviewed in New Scientist

 

I was delighted to read such a thorough review, by Simon Ings, of Stanislaw Lem's Summa Technologiae - an amazing book which I had the pleasure to translate and which recently came out from University of Minnesota Press. Ings writes:

For Lem, the world itself is ironical. Even as you follow him, watch him rip out the signposts. Gawp in dismay as he assembles Potemkin villages on the barren skyline only to kick them into the dust. Then: walk on, back to brute being. The path appears to be straight. You know it's anything but. You know, deep down, that you will come by this place again.

Youy can read the full review, 'A brilliant trip back to the technological future', online at the New Scientist.

 

Monday
May132013

Photomediations Machine: launch and call for contributions

I am are pleased to announce the launch of Photomediations Machine: a curated online space where the dynamic relations of mediation as performed in photography and other media can be encountered, experienced and engaged.

Photomediations Machine adopts a process-based approach to image making by tracing the technological, biological, cultural, social and political flows of mediation that produce photographic objects. Showcasing theoretical and practical work at the intersections of art and mainstream practices, Photomediations Machine is both an archive of mediations past and a site of production of media as-we-do-not-know-them-yet. Photomediations Machine is non-commercial, non-profit and fully open access.

Curated by myself and Ting Ting Cheng, Photomediations Machine has an International Advisory Board which includes Katherine Behar, Lisa Cartwright, Alberto López Cuenca, Asbjørn Grønstad, Richard Grusin, Sarah Kember, Max Liljefors, Melissa Miles, Nicholas Mirzoeff, W.J.T. Mitchell, Luiza Nader, Nina Sellars, Jonathan Shaw, Katrina Sluis, Marquard Smith, Hito Steyerl and Bernadette Wegenstein. It is a sister project to the online open access journal Culture Machine (http://www.culturemachine.net), established in 1999.  

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Photomediations Machine invites the following types of submissions:

•    Visual projects that fit the photomediations theme (selection of images, links to video hosted elsewhere). We accept submissions from artists themselves as well as from theorists and curators. All visual projects need to be accompanied by a short description or a contextualisation piece.

•    Short articles (up to 2000 words, including references) on any aspect of photomediations, accompanied by one or more images.

•    Reviews (up to 1400 words, including references) of any relevant exhibitions, events or publications, accompanied by one or more images.

•    Interviews with artists, theorists, activists and curators (up to 2000 words) working at the interstices of photography and media, accompanied by one or more images.

•    Announcements / news about current exhibitions, installations, events and publications that will be of interests to Photomediations Machine’s readers (100-500 words), accompanied by one or more images.

Please submit all text as a Word or rtf document (in English) and all images as low-res jpegs (1024×768 px; 72dpi). For written submissions, please use the Culture Machine style sheet. Authors need to clear copyright to all images used. Decisions about individual submissions will be made by Photomediations Machine’s curators in consultation with members of its International Advisory Board and external advisors.

Please send your submission to: mail@photomediationsmachine.net

Website: http://www.photomediationsmachine.net
Twitter: @Photomediations

Wednesday
Mar202013

Biomediations: Art, Life, Media symposium at Goldsmiths

BIOMEDIATIONS: ART, LIFE, MEDIA
One-day symposium at Goldsmiths, University of London
Date: Tuesday 14 May 2013
Venue: Goldsmiths, New Cross, MRB Screen 1

Symposium description:

‘Life’ signifies many things. To begin with, it is a philosophical abstraction referring to our meaningful existence in the world. But ‘life’ also refers to biological processes taking place at environmental, social and cellular levels, as well as technical experiments with media, computer systems and biological models. Life as such doesn’t therefore exist: it is always mediated by language, culture, technology and biology. It is these multiple mediations of life that form the theme of this symposium Biomediations: Art, Life, Media. The term ‘biomediations’ encapsulates life’s own inherent dynamism that unfolds at environmental, social and cellular level. It also captures the creative, dynamic and evolving nature of media. The symposium will explore this intertwined process, whereby life is always mediated and whereby media themselves are living – i.e. composed of both technological and biological elements, and capable of generating new forms, unprecedented connections and unexpected events.

Programme:

10.30-12.30
Professor Joanna Zylinska, Goldsmiths, University of London
The aesthetic and ethical imperative of biomediations: opening remarks

Professor Sarah Kember, Goldsmiths, University of London
iMedia

Dr Btihaj Ajana, King’s College London
Measuring life: between the ‘who?’ and the ‘what?’

12.30-1.30 Lunch break

1.30-3.00
Dr Sarah Cook, University of Sunderland
Artistic mediations of life: some examples

Ben Craggs, Goldsmiths, University of London
What does bioart do? From biomedia to biomediation

3.00-3.30 Coffee break

3.30-5.00
Dr Lynn Turner, Goldsmiths, University of London
Tympan Alley: posthuman performatives in Dancer in the Dark

Professor Sean Cubitt, Goldsmiths, University of London
Privations, secretions

5.15-7.00
Keynote lecture:
Stelarc (performance artist and Professor at Brunel University)
Engineering aliveness and affect in artificial systems: alternate operational architectures

7pm
Wine reception

The event is free and open to all.

This event is organised with the generous support of the Department of Media and Communications at Goldsmiths. It is a satellite event to Transitio_MX05 ‘Biomediations’: Festival of New Media Art and Video in Mexico City (20-29.09.2013).

Wednesday
Mar132013

Life After New Media podcast

Janneke Adema and Ben Craggs have recently interviewed Sarah Kember and I about our book, Life After New Media, for Culture Machine Live, a series of podcasts which consider a range of issues including the digital humanities, Internet politics, the future of cultural studies, transparency, open access, cultural theory and philosophy.

They have really put us through our paces, asking some rather challenging questions about the vitality of mediation, human agency, the 'two cultures' divide, the ethics of the cut and their entanglement as interviewers in the becoming of our book. Among other things, Janneke and Ben said:

 
To simply see Life After New Media as a 'book', as an object containing your ideas, seems to deny the very vitality of media and mediation that you are suggesting.  In the questions we present to you and the editorial cuts (more on these later) that we make when creating the podcast there is something more dynamic taking place, something that we perhaps should also take responsibility for. Textual scholar John Bryant argues for the recognition of a multiplicity of texts or rather for what he calls the ‘fluid text’, which extends from different material manifestations (drafts, proofs, editions) of a certain work into what is called the social text (translations and adaptations) and ideas of multiple authorship. In what sense do you feel this podcast or interview can thus be seen as a fluid or vital extension of the book, and in what sense do we become your collaborators?

The podcast is available here:


Podcast Powered By Podbean


http://culturemachinepodcasts.podbean.com/2013/03/12/life-after-new-media-sarah-kember-and-joanna-zylinska/

You can find the whole series at: http://culturemachinepodcasts.podbean.com

This series is curated by Janneke Adema, Clare Birchall, Gary Hall & Pete Woodbridge

For more information about the online, open access journal Culture Machine, visit http://www.culturemachine.net

 

Tuesday
Feb262013

Lem's Summa Technologiae: hot off the press

I have just received advanced copies of my translation of Stanislaw Lem's Summa Technologiae !

                                                          

Stanisław Lem, Summa Technologiae

Translated and with Introduction by Joanna Zylinska

University of Minnesota Press, Electronic Mediations series vol. 40, March 2013

ISBN 978-0-8166-7576-0

The Polish writer Stanisław Lem is best known to English-speaking readers as the author of the 1961 science fiction novel Solaris, adapted into a meditative film by Andrei Tarkovsky in 1972 and remade in 2002 by Steven Soderbergh. Throughout his writings, comprising dozens of science fiction novels and short stories, Lem offered deeply philosophical and bitingly satirical reflections on the limitations of both science and humanity.

 In Summa Technologiae—his major work of non-fiction, first published in 1964 and now available in English for the first time—Lem produced an engaging and caustically logical philosophical treatise about human and non-human life in its past, present, and future forms. After five decades Summa Technologiae has lost none of its intellectual or critical significance. Indeed, many of Lem’s conjectures about future technologies have now come true: from artificial intelligence, bionics, and nanotechnology to the dangers of information overload, the concept underlying internet search engines, and the idea of virtual reality. More important for its continued relevance, however, is Lem’s rigorous investigation into the parallel development of biological and technical evolution and his conclusion that technology will outlive humanity itself.

Preceding Richard Dawkins’s idea of evolution as a blind watchmaker by more than two decades, Lem posits evolution as opportunistic, shortsighted, extravagant, and illogical. Strikingly original and still timely, Summa Technologiae resonates with a wide range of contemporary debates about information and new media, the life sciences, and the evolving relationship between technology and humanity.

Endorsement

At the end of the thirteenth century, Thomas Aquinas wrote the Summa Theologiae, an ambitious compendium of all orthodox philosophical and theological knowledge about the world. Seven hundred years later, science fiction author Stanisław Lem writes his Summa Technologiae, an equally ambitious but unorthodox investigation into the perplexities and enigmas of humanity and its relationship to an equally enigmatic world in which it finds itself embedded. In this work Lem shows us science fiction as a method of inquiry, one that renders the future as tenuous as the past, with a wavering, ‘phantomatic’ present always at hand. (Eugene Thacker, author of After Life)

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Stanisław Lem (1921–2006) was the best known science fiction author writing outside of the English language. His books have been translated into more than forty languages and sold over 27 million copies worldwide.

Joanna Zylinska is professor of new media and communications at Goldsmiths, University of London. Her own books include Bioethics in the Age of New Media and The Ethics of Cultural Studies.